PROCESS
Arkhipov, Vladimir, Home-Made: Contemporary Russian Folk Artifacts. Fuel, 2006
Bardini, Thierry , Junkware. University of Minnesota Press, 2018
Barnes, Martin, Shadow Catchers: Camera-less Photography. V&A 2010
Bendandi, Luca (ed), Experimental Photography: A Handbook of Techniques. 2015
Bergthaller, Peter Organic Sulfur Compounds in Silver Halide Photography, Sulfur Reports, 23:1, 1-45. 2002
CAN Project, Jane Atkinson, Ben Ellis, Becky Joiner, Matthew Pontin, Watermark. 2006
Crawford, Willaim, The Keeps of Light. Morgan & Morgan, Inc. 1979
Clarke. V (ed), PLANT: Exploring the Botanical World. 2016
Dean, Jenny, Wild Colour: The Complete Guide to Making and Using Natural Dyes. 1999
Dunn M. Kevin, Caveman Chemistry, Universal Publishers 2003
Elkins, James, How To Use Your Eyes. Routledge 2009
Ellis, Catherine, The Science of Natural Dyes, 2013
Fabri, Malin, Anthotypes: Explore the darkroom in your garden and make photographs using plants. 2012
Fabri, Malin and Fabri, Garry, Blueprints to Cyanotypes. 2006
Fattahi S, Zabihi E, Abedian Z, et al. Total Phenolic and Flavonoid Contents of Aqueous Extract of Stinging Nettle and In Vitro Antiproliferative Effect on Hela and BT-474 Cell Lines. Int J Mol Cell Med. 2014;3(2):102-107.
Fulhame, Elizabeth, An Essay On Combustion with a View to a New Art of Dying and Painting, wherein the Phlogistic and Antiphlogistic Hypotheses are Proved Erroneous, 1794
Furry S. Margret and Viemont M. Bess, Home Dyeing with Natural Dyes, United States Department of Agriculture, 1935.
Haist, Grant, Modern Photographic Processing: v. 1 - Wiley series on photographic science & technology & the graphic arts, 1979
Herschel, F. W. John, On the Action of the Rays of the Solar Spectrum on Vegetable Colours, and on Some New Photographic Processes, Arlicle in Philosophical Transactions of the Royal Society of London Vol. 132 (1842), pp. 181-214.
James, Christopher, The Book of Alternative Photographic Processes. 2002
Knowles, Kim, Experimental Film and Photochemical Practices. 2020
Lebas, Crystel, Field Studies: walking through landscapes and archives. 2016
Logan, Jason, Make Ink A Forager’s Guide to Natural Inkmaking. Abrams 2018
Pellew, E. Charles, Dyes and Dyeing. New York, R. M. McBride & company 1918
Trachtenberg, Alan, Classic Essays on Photography, Leete's Island Books, 1980
Renner, Eric, Pinhole Photography Rediscovering a Historic Technique. 2004
Sibbern-Larsden, Bo, The Caffenol Cookbook & Bible. 2012
Ward B. Davis, Extraction of Ascorbic Acid from Plant Tissues, U.S. Department of Agriculture.
Ware, Mike, Mechanisms of Image Deterioration in Early Photographs: The Sensitivity to light of W H F Talbot’s Halide-fixed images 1834-1844. Science Museum, 1944
Wagner, Rudolf (transl. by William Crookes), Wagner's Chemical Technology, 1872
Wilhelm Vogel, Hermann, Handbuch der Photographie, I. Theil Photochemie und Beschreibung der photochemischen Chemikalien, Berlin. 1890
Wilson, L. Edward, A Complete Handbook of the Terms, Processes, Formulæ and Appliances Available in Photography, Arranged in Cyclopædic Form for Ready Reference. 1894
Wilson, L. Edward, Wilson's Photographics: A Series of Lessons, Accompanied by Notes, on All the Processes which are Needful in the Art of Photography, 1883
Various Authors, A Guide to the Fixing Process of Photographic Development - Camera Series Vol. XII. - A Selection of Classic Articles on the Chemistry of Photograph. 2012
THEORY
Albinsson, P. A., Wolf, M. and Kopf, D. A., Anti-consumption in East Germany: consumer resistance to hyperconsumption. Journal of Consumer Behaviour, 9: 412-425, 2010
Bendell, Jem, Deep Adaptation: A Map for Navigating Climate Tragedy. IFLAS 2018
Bennett, Jane, Vibrant Matter a political ecology of things. Duke University Press 2010
Caroline A. Jones, Sensorium; Embodied Experience, Technology and Contemporary art. 2006
Claxton, Guy, Hare, Brain Tortoise Mind. 1998
Demos. TJ, Decolonizing Nature: Contemporary Art and the Politics of Ecology. 2016
Descola. P, Beyond Nature and Culture. 2005
Donna Haraway, Staying with the Trouble - Making Kin in the Chthulucene. 2016
Edwards. E, Objects of Affect: Photography Beyond The Image. Annual Review of Anthropology, 41, 221-234, 2012
Eernstman, Natalia, Jan van Boeckel, Shelley Sacks and Misha Myers, Inviting the unforeseen: a dialogue about art, learning and sustainability. E-Chapter in Learning for sustainability in times of accelerating change 2012, eds: Arjen E.J. Wals and Peter Blaze Corcoran (201-212).
Eva Kovosky Sedjwick, Touching Reading Feeling: Affect, Pedagogy, Performativity. 2003
Gell. A, Art and Agency: An Anthropological Theory. 1998
Georges Didi-Huberman, The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art. 2002
Grande. John K, Art Nature Dialogues: Interviews with Environmental Artists. 2012
Hito Steyerl, In Defence of the Poor Image. in The Wretched of the Screen 2009
Hook. D, Discourse, Knowledge, Materiality, History: Foucault and Discourse Analysis. Theory & Psychology, 11 (4), 521-547, 2001
Kimmer, Robin Wall, Braiding Sweetgrass, Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, 2014
Latour. B, We Have Never Been Modern (critique of modern separation of nature and culture), 1991
Lowenhaupt Tsing, Anna, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins, Princeton University Press, 2015.
Marder, Michael, Plant-Thinking A Philosophy of Vegetal Life. Columbia University Press 2013
Miller. D, Materiality. 2005
Montag, Daro, Bioglyphs: Generating Images in Collaboration with Nature's Events. PhD Thesis, 2000
Montag, Daro, Dialogues with Nature, Exhibition Catalogue. 2013
Morton, Timothy, Philosophy and Ecology after the End of the World. Columbia University Press, 2013.
Morton, Timothy, Being Ecological , Penguin Books, 2018.
Pritchard, Dave, Dendros: Horizons Of Change. 2006
Richard Sennett, The Craftsman. 2008
Robinson, Kim Stanley, There Is No Planet B , Sierra, 2018.
Serres, Michel, The Natural Contract , University of Michigan Press, 1995.
Sonfist, Alan, Nature: The End of Art: Environmental Landscapes, 2004.
Toland, A. Noller S. J and Wessolek, G, Field to Palette: Dialogues on Soil and Art in the Anthropocene, CRC Press 2018.
Turpin, Etienne, Architecture in the Anthropocene: Encounters Among Design, Deep Time, Science and Philosophy , Open Humanities Press, 2013.
Thomas, Sue, Nature and Wellbeing in the Digital Age. 2017
Walter Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’. In Illuminations 1935
Webster, Andy, Finding fluid form: A process aesthetic as a means to engage with the prevailing entitative model of thinking in ecological art. PhD Thesis, 2012
Williams, Raymond, Problems in Materialism and Culture. 1980
Handbook of Advanced Industrial and Hazardous Wastes Management, Edited by Lawrence K. Wang, Mu-Hao, Sung Wang, Yung-Tse Hung, Nazih K. Shammas and Jiaping Paul Chen, Taylor & Francis Group, LLC, 2018.
National Research Council. A Framework to Guide Selection of Chemical Alternatives. Washington, DC: The National Academies Press 2014.
Preventing Pollution in Photo Processing, A Guide to Environmental Compliance and Pollution Prevention for Photo Processors in Missouri. Missouri Department of Natural Resource, Environmental Assistance Office 2004
Guide on Sustainable Chemicals, A decision tool for substance manufacturers, formulators and end users of chemicals. German Environment Agency 2016